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“We’ve been hearing lavish dinners, four-hour sessions. Stop it, please. Because the next thing you’re going to hear in the news is the Brooklyn Democratic Party is ‘corrupt, corrupt, corrupt.'”
The event creates a showdown between land-sale participants, protesters, and counter-protesters, and will be the first protest since the City Council passed controversial legislation restricting demonstrations in close proximity to houses of worship.
Keeping our finger on the pulse of what's new and noteworthy.
Jeff Bezos's party sucked.
"The Jellicle Ball"'s Nora Schell has transformed a semi-disposable "Cats" character into a newfound Broadway icon.
Aluminium foil sculptor Dean Millien kicks off Hell Gate's newest column, Creative Accounting.
"Trans art is the preservation of joy, not merely the celebration of it."
A wide-ranging conversation with Philip Hartman, filmmaker and Two Boots proprietor, about the bygone characters and haunts of his 1986 film.
Filmmaker Joel Alfonso Vargas on how his new movie, "Mad Bills to Pay," reflects a hyper-real Bronx experience.
The newly-launched NYTV is interested in producing projects with measured budgets and zero compromises.
Regulars from Hank's, the beloved, deceased Boerum Hill saloon, came together for a memorial pour and to see a new documentary about their old haunt.
Herman Jessor designed Co-Op City, Starrett City, and more housing units in New York than any other architect—so why don't more people know his name?
What would the city look like if the visionary designer's public projects had actually been built?
A new adaptation of the classic film for Broadway is a farce in all the wrong ways.
And two of them are how great Jaÿ-Z Is.
Filmmaker Caroline Golum on her feature "Revelations of Divine Love," recreating 14th-century England in Ridgewood, and the battles low-budget productions face.
A sprawling, personal, and vexing new book attempts to provide an answer.
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