You Can See Everything About Nathan Fielder

I like thinking about movies in terms of which collective subconscious cultural anxieties they are channeling. This year, two movies have gripped New York audiences: Nathan Fielder and Lance Oppenheim's "You Can See Everything," and Curry Barker’s horror flick "Obsession." By accident of release dates, popular interest, and my personal happenstance filmgoing, these two movies are talking to each other, and it's an interesting conversation!