UFO Jeans Is a Legit New York City Original
An interview with Lorna Brody, who's still designing her family's giant rave pants in our great city.
Hell Gate is owned & run by journalists covering NYC.
Happy Governor Kathy Hochul-designated Dolly Parton Day ("9 to 5," get it) to all who celebrate.
An interview with Lorna Brody, who's still designing her family's giant rave pants in our great city.
The arts institution's ignominious origin story, courtesy of itself.
Mohammad Omer Khalil is an art star everywhere but here—but a new retrospective should change that.
Jeff Bezos's party sucked.
"The Jellicle Ball"'s Nora Schell has transformed a semi-disposable "Cats" character into a newfound Broadway icon.
Aluminium foil sculptor Dean Millien kicks off Hell Gate's newest column, Creative Accounting.
"Trans art is the preservation of joy, not merely the celebration of it."
A wide-ranging conversation with Philip Hartman, filmmaker and Two Boots proprietor, about the bygone characters and haunts of his 1986 film.
Filmmaker Joel Alfonso Vargas on how his new movie, "Mad Bills to Pay," reflects a hyper-real Bronx experience.
The newly-launched NYTV is interested in producing projects with measured budgets and zero compromises.
Regulars from Hank's, the beloved, deceased Boerum Hill saloon, came together for a memorial pour and to see a new documentary about their old haunt.
Herman Jessor designed Co-Op City, Starrett City, and more housing units in New York than any other architect—so why don't more people know his name?